http://asymmetrymusicmagazine.com/editorials/intuition-and-order-in-xenakiss-orient-occident/ writing about music for people who like music Thu, 08 Mar 2012 16:19:36 +0000 hourly 1 http://wordpress.org/?v=3.3.2 http://asymmetrymusicmagazine.com/editorials/intuition-and-order-in-xenakiss-orient-occident/comment-page-1/#comment-63 Jay Williams Tue, 23 Nov 2010 13:24:30 +0000 http://asymmetrymusicmagazine.com/?p=370#comment-63 I have a recording of the unedited "Orient Oxident." Xenakis provided it for us to listen to during his classes at Indiana University. It's in monaural, but you can get a clear idea of how the concert piece was culled Let me know if you'd like it. I have a recording of the unedited “Orient Oxident.” Xenakis provided it for us to listen to during his classes at Indiana University. It’s in monaural, but you can get a clear idea of how the concert piece was culled Let me know if you’d like it.

]]> http://asymmetrymusicmagazine.com/editorials/intuition-and-order-in-xenakiss-orient-occident/comment-page-1/#comment-9 Seth Nehil Thu, 04 Feb 2010 23:00:15 +0000 http://asymmetrymusicmagazine.com/?p=370#comment-9 This was great - thanks! I've admired this piece for years (alongside Bohor and the other tape pieces). Now I'm looking for ways to appreciate these works on a deeper formal level, without getting a degree in statistical probabilities. Spectral analysis assists with analysis, without diminishing the raw timbres and intuitive shape of the piece. This was great – thanks! I’ve admired this piece for years (alongside Bohor and the other tape pieces). Now I’m looking for ways to appreciate these works on a deeper formal level, without getting a degree in statistical probabilities. Spectral analysis assists with analysis, without diminishing the raw timbres and intuitive shape of the piece.

]]>